About
My work is an intimate exploration of material, time, and the balance between strength and fragility. Handmade paper, clay, and pigments become witnesses to a subtle dialogue between the hand, the material, and the moment.
Each piece emerges from a slow, intuitive process, where textures and reliefs gradually unfold, revealing the richness of imperfections. I am drawn to what bears the trace of life—cracks, roughness, and delicate nuances that give my creations their depth and uniqueness.
My approach goes beyond aesthetics. It is, above all, a search for authenticity—an invitation to slow down, to contemplate, and to develop a deeper connection with the material. Each piece seeks to capture an essence, a simplicity that is not mere minimalism but rather an expression of something essential and sensitive.
My universe is rooted in natural tones and a refined aesthetic, creating spaces where silence and presence coexist in harmony.
Natural materials and textures are at the heart of my creative process. I like to give space to intuition and spontaneity, breaking free from conventions to create authentic, organic works.
Each piece is a dialogue between strength and delicacy, grounding and lightness.
Paper, with its finesse and fragility, frays, intertwines, and settles into a subtle balance.
Clay, on the other hand, retracts, cracks, and offers depth and relief.
These contrasts interact and respond to each other, bringing to life compositions where simplicity is essential.
My work invites the viewer to slow down, to feel the material, and to immerse themselves in the imperceptible movement of time woven into every texture.
Une question ?
Une collaboration ?
A sanctuary where time stands still.
In my studio, I take the time to explore, to let the material surprise me, to transform an idea into reality. It is a space of freedom where everything begins with an intuition, a gesture, an experiment. Testing, failing, starting over, pausing, doubting… Every stage of the process has its place, every imperfection tells a story.
I feel deep gratitude when the material reveals itself—when it cracks, shifts, and leaves its own marks. It invites us to slow down, to embrace the unexpected, to listen to what it has to offer.
The process is slow. It takes time for the material to dry, to evolve without constraint. There is beauty in letting things unfold without seeking to control them.
Here, everything is a dialogue between intention and the unforeseen, between the hand and the material, between the visible and the invisible.